Imagine a scenario in which Daniel Day Lewis is cast as himself. To get into character, he adopts his method technique of total immersion. For months he watches all of Daniel Day Lewis’s movies, studying his voice and physical movements to nail those telltale Daniel Day Lewis ticks. He reads all his EPK interviews and pores over his acceptance speeches. Only when fully prepped is he ready for the cameras to roll, and on set he goes so far as to stay in character between takes, asking people to address him as “Dan”. Naturally he cleans up in awards season.

Actors have always answered the summons to play themselves. Who but an actor with the steeliest scruples could resist such a flattering opportunity to clip him or herself into a pair of ironic quotation marks? Television comedy – see Extras, The Trip and Episodes – has recently got in on the act. This week brings the release of This Is The End, in which Seth Rogen, James Franco and company are caught up in a Californian apocalypse. It is a dismal failure. To cheer ourselves up, and prove that these things don’t all have to be about vanity projects, theartsdesk launches Listed, a new illustrated series. This week, we present a mini-almanack of actors and actresses who have portrayed themselves on screen. It doesn’t pretend to be comprehensive, so feel free to share your own examples in the comments box.

 

The ur-text: Being John Malkovich (1999)

Charlie Kaufman’s wonderfully playful script finds John Cusack’s puppeteer locating a portal that leads into the mind of the eponymous actor. Malkovich was chosen partly for the rhythm of his name and partly because he is truly an enigma. In this clip he finds out what on earth is going on.

 

The resurrection: Neil Patrick Harris in Harold and Kumar (2004, 2008, 2011)

The squeaky-clean teen star of Doogie Howser MD reinvented himself by gamely revealing a potty-mouthed side in the Generation X comedy Harold and Kumar Go to White Castle. Here he pops in the titular stoner’s back seat. The career reboot worked so well for him he did two more in the series.

 

The fantasy: Brigitte Bardot in Dear Brigitte (1965)

In a bizarre marriage of cinematic opposites, James Stewart stars as a college professor whose genius son falls for Brigitte Bardot and is summoned to meet her in France. “Delightful for to meet you,” says a game Bardot. In this clip, Billy Mumy stands in for every Bardot fan who ever lived as he gazes up at her in slack-jawed awe.

The prank: Joaquin Phoenix in I’m Still Here (2010)

For a couple of years the star of Gladiator and scion of a modern Hollywood dynasty was thought to be going off the rails, bearding up like a hobo and hip-hopping like Oliver Reed. Turns out he was just in character for this mockumentary about the uses and abuses of celebrity. Not everyone was in on the joke. A fine, believable performance.

The saviour: Peter Falk in Wings of Desire (1987)

Falk was credited as “Der Filmstar” in Wim Wenders‘ fable about angels hovering over partitioned Berlin, though “Der TV star” would have been more accurate for the man who was Columbo. His subplot involves an actor, clearly Falk himself, who has renounced his angelic status so that he may experience what it is to be human. Here he addresses Bruno Ganz‘s wordless angel, whose presence he can feel but not see.

 

See overleaf for the surprise, the hall of mirrors, the silence, the kidnap, the adolescent fulfilment and the horror

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